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Richard Wagner, What is German? (1865/1878)

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So far the earlier article, from the year 1865. My project was to get a political journal founded for the purpose of advocating the tendences expressed therein[.]

[ . . . ]

However, I certainly had other grounds for leaving my task unfinished. – “What is German?” –The question puzzled me more and more. What simply aggravated my bewilderment, were the impressions of the eventful years which followed the time when that article was begun. What German could have lived through the year 1870 without amazement at the forces manifested here, as also at the courage and determination with which the man who palpably knew something that we others did not know, brought those forces into action? – Many an objectionable feature one might overlook at the time. We who, with the spirit of our great masters at heart, witnessed the physiognomic bearing of our death-defiant landsmen in the soldier’s coat, we cordially rejoiced when listening to the “Kutschkelied,"* and deeply were we affected by the “feste Burg” before the war and “nun danket Alle Gott” when it was over. To be sure, it was precisely we who found it hard to comprehend how the deadly courage of our patriots could whet itself on nothing better than the “Wacht am Rhein”; a somewhat mawkish Liedertafel product, which the Frenchmen held for one of those Rhinewine songs at which they earlier had made so merry. But no matter, they might scoff as they pleased, even their “allons enfants de la patrie” could not this time put down “lieb Vaterland, kannst ruhig sein,” or stop their being soundly beaten. – When our victorious troops were journeying home I made private inquiries in Berlin as to whether, supposing one contemplated a grand solemnity for the slain in battle, I should be permitted to compose a piece of music for performance thereat, and to be dedicated to the sublime event. The answer was: upon so joyful a return, one wished to make no special arrangements for painful impressions. Still beneath the rose, I suggested another music-piece to accompany the entry of the troops, at the close of which, mayhap at the march past the victorious Monarch, the singing-corps so well supported in the Prussian army should join-in with a national song. No: that would have necessitated serious alterations in arrangements settled long before, and I was counselled not to make the proposal. My Kaisermarsch I arranged for the concert-room: there may it fit as best it can! – In any case, I ought not to have expected the “German spirit,” new-risen on the field of battle, to trouble itself with the musical fancies of a presumably conceited opera-composer. However, divers other experiences made me gradually feel odd in this new “Reich;” so that when I came to editing the last volume of my Collected Writings, as already mentioned, I could find no right incitement to complete my article on, “What is German?”


* A song very popular with the German troops in the Franco-German War, originally attributed to a fusilier by name of Kutschke, but later ascertained to have been written by Field-chaplain Herm. Alex. Pistorius (1811-1877).–The “determined man” of two sentences back is, of course, Prince Bismarck.–TR.

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