Jazz discussion about the draft from colleague Rudorf to the Ministry of Culture on April 7, 1955, in Berlin
Beginning: 11 o’clock
Present: the colleagues
Prof. Knepler
Siegmund-Schultze
Dr. Rebling
Prof. Notowicz
Spies
Schwaen
Forest
Masanetz
for part of the time:
Möller
Müller
Rudorf
Ulbrich, Defa
Bartsch, Defa
Lukacz
Berenbrock
Bormann
Folkmann, Ministry of Culture
Fischer,
Hartfeldt, DSV
Sasse, VdK Halle
Dr. Glücksmann, AWA
Morche,
Seeger, Neues Deutschland
Lahl, CC of the SED
Watzinger,
Uszokoreit
Prof. Knepler, the first to speak, considers the theses of colleague Rudorf to be false, and what is more, dangerous. The distinction between real and commercial jazz is arbitrary. There is no jazz that can have a progressive impact on our dance music. Of course, a Negro folk music does exist. But that is not a primary concern for us, but rather for the American people. It is surely a task to cultivate Negro music, just as one should cultivate English, French, and Indian folk music, but with us our German folk music is front and center.
Colleague Forst agrees with colleague Prof. Knepler. He is of the opinion that people in Germany should dance not to Russian or Negro music, but to German dance music. It must be identified and developed. Resorting to foreign folklore cannot be a way out. As for the proposals by colleague Rudorf to set up Hot- or Boogie-woogie clubs: in Germany we have no clubs for Russian dances, English dances. But we have a Central House for Popular Art [Zentralhaus für Volkskunst]. There one could certainly also organize evenings with foreign folk dances and songs, among them of course the folk art of the Negroes.